Showing posts with label Elizabeth Zelvin. Show all posts
Showing posts with label Elizabeth Zelvin. Show all posts

Wednesday, October 1, 2014



Liz Zevlin and I met as members of the New York Chapter of Mystery Writers of America.  Until now, she has been best known for her award-winning series that features an amateur detective who is a recovering alcoholic.

At an MWA event a few years ago, Liz read her short story The Green Cross, about a young, secretly Jewish sailor voyaging with Columbus.  I knew immediately that Liz was also adept at historical fiction and left that reading hoping to hear more of young Diego in the future.  Well, Liz has complied.  Lake Union Publishers has just released a full length novel VOYAGE OF STRANGERS, which Liz describes as what really happened when Columbus discovered America.  The book is now available as a paperback, an e-book, and an
audiobook from Amazon at:



Book blogger Stephanie Hopkins found VOYAGE "an amazing
read...entertaining and exciting ." She said Diego and Rachel's story is
"extraordinary...and the danger they face will have you clenching your
teeth and holding your breath, waiting to find out what the outcome will
be."

You can find out more at Liz's website 

Congratulations, Liz!!

Annamaria Alfieri

Wednesday, January 8, 2014

Guest Blogger Elizabeth Zelvin: Recreating A Vanished Culture

Elizabeth Zelvin has visited us before.  I asked her back to celebrate her new novel, Voyage of Strangers, about what really happened when Columbus discovered America. She is the author of the Bruce Kohler mystery series. Her stories have been nominated three times for the Agatha Award and for the Derringer Award for Best Short Story. Liz is a psychotherapist who lives in New York City and is a valued colleague in the New York mystery writing community.

Annamaria Alfieri



Voyage of Strangers is not a mystery, though it's the sequel to a mystery short story that appeared in Ellery Queen's Mystery Magazine.  It is, however, crime fiction. The protagonist and his adventures are fictional. The crimes--rape, murder, auto da fe,  and genocide, among others--really took place. Voyage of Strangers is set in cultures that no longer exist: Spain and Hispaniola from 1493 to 1495. While life in fifteenth-century Spain is well documented, from the court of King Ferdinand and Queen Isabella to the horrors of the Inquisition, the Taino culture that Columbus and his men discovered and destroyed is gone. Only in recent years have Dominicans and Puerto Ricans carrying Taino DNA begun a painstaking reconstruction of the Taino language and culture from the fragments that remain.  

So how does a novelist write about it? Given the limited primary sources, my method was much like that of today's self-identified Taino: fragments and imagination. Part of the creative process consisted of transposing my own experiences to the characters and settings in my story. While this is true for any writer of fiction, I found that I could take some risks, some imaginative leaps, in interpreting what I read about one traditional culture in the Caribbean because I had some familiarity with traditional cultures in West Africa, where I lived as a Peace Corps Volunteer in the 1960s.

As I discovered when I started researching Columbus's second voyage, there really is remarkably little primary source material. A lot of the "facts" we take for granted are interpretations, stated with enough authority and repeated often enough that eventually they are no longer questioned even by historians. For example, take the Carib tribe called the Canibale. Yes, that's where we got the word "cannibal." Did they really eat human flesh? Kirkpatrick Sale, author of Christopher Columbus and the Conquest of Paradise, says even the possibility was mentioned only twice in contemporary accounts of all four voyages: when a Spaniard reported "the neck of a man was found cooking in a pot," and on another occasion, "a human arm ready for roasting on a spit."

Sale says "it is hard to think that European seamen would be able to distinguish a disembodied neck or arm as distinctly human, and not from a monkey, say, or a dog, and in any case there is no evidence that they were to be eaten...Both seem to be simple examples of people who, when primed with dark presuppositions, find what they expect to find. That is all there is. There is no further support for the legend of Carib cannibalism in any of the firsthand accounts of the Caribs over the next century".

I chose to believe Sale. I also found convincing his statement that "whenever the people of an island were submissive or at least nonhostile, the Spanish declared that they were the Tainos, or good Indians, and whenever they were deemed to be hostile or at least defensive, they were said to be the warlike Caribs, the bad Indians." Remember that the Spaniards made no attempt to learn the Taino language, but relied on captive "interpreters" who knew no Spanish. Remember, too, that when Columbus first sailed, he expected to find the Indies--Japan or China--and prepared to communicate with the Great Khan by bringing along a scholar of ancient Hebrew. He never lost his belief that these rich and civilized lands were just a little farther on and that he had explored "the Indies," not a New World.

Having made my sailor protagonist, Diego, an outsider--a marrano, a secret Jew--I was able to express my skepticism about some of Columbus's beliefs and my horror at some of the Spaniards' actions, through him. I allowed his Taino friend Hutia to explain to him that when the Taino talked about cannibalism, they were just kidding. I based this interpretation on something I experienced myself when I lived in Côte d'Ivoire in Africa. Two of my Ivoirien friends, who were educated city dwellers one generation removed from traditional villages, came from different tribes. "Your grandfather ate people!" was a common joking insult between them.


Furthermore, I wouldn't be surprised if the Taino told these invaders with their terrifying horses and metal weapons whatever they thought they wanted to hear. They certainly did that about the presence of gold on Hispaniola. The island had a relatively small amount of alluvial gold washed down from the mountains. This convinced Columbus that there must be a mine--the legendary Cibao--and he didn't want to hear that belief contradicted. Many Taino were killed or enslaved for their inability to provide an abundance of gold that simply did not exist.

 

Monday, October 15, 2012

Why New York Mystery Series Travel


Our guest today is the multi-talented Elizabeth Zelvin, a New York City psychotherapist whose mysteries feature recovering alcoholic Bruce Kohler. Death Will Extend Your Vacation is the latest in the series, following Death Will Get You Sober and Death Will Help You Leave Him. Liz is a three-time Agatha Award nominee and a Derringer Award nominee for Best Short Story. Her stories have appeared in Ellery Queen's Mystery Magazine and various anthologies and e-zines.Outrageous Older Woman, her CD of original songs, was released in 2012.  On top of which, Liz is a dear and supportive colleague; I am very happy to call her my friend.

Annamaria Alfieri


I love New York. I’ve lived here all my life—if you count growing up in Queens, which my husband, a Manhattan native, insists doesn’t count. I adore my city with its rainbow population, 24-hour energy, and kaleidoscopically innumerable, bright, and constantly shifting little worlds. But sometimes I hunger for fresh air, quiet, and more green leaves and blue water than Central Park provides. I maintain that “out of town” is an essential part of the New York experience. How do you think those of us who live in the Big Apple stand it but by getting out of it once in a while? I leave exhausted, and I come back refreshed and ready to plunge in again.

As a reader, how do you feel about series that jump around? When you open the latest James Lee Burke, would you feel cheated if you didn’t find yourself in steamy Louisiana? Or if William Kent Krueger took Cork O’Connor out of the Minnesota wilderness and popped him into New Jersey? I know readers who were outraged when a recent book by Nevada Barr took National Parks ranger Anna Pigeon onto the streets of New Orleans.
 
In today’s market-driven publishing industry, editors can sometimes get a bit narrow-minded about where a mystery series is set. If it’s a South Florida series, by gum, they want every book to take place in South Florida. If it’s a Las Vegas series...well, what’s set in Las Vegas had darn well better stay in Las Vegas. The Big Six publishers in particular are wary of anything that might be labeled “regional” or as appealing only to a “niche” market, in spite of plenty of evidence to the contrary. “No one wants to read about Canada” (cf Louise Penny) or “No one wants to read about Italy” (cf Donna Leon), for example. On the other hand, I’ve heard of a New York series set in the music world being dismissed as “niche” by a prestigious smaller publisher located in another part of the country.

The more popular the author, the more latitude in this regard. For example, Laurie King’s Mary Russell and Sherlock Holmes get to San Francisco; Margaret Maron’s Judge Deborah Knott gets to Manhattan. But midlist writers like me are expected to keep a New York series firmly within New York. I didn’t know this going in. I originally envisioned my series about recovering alcoholic Bruce Kohler and his friends, world-class codependent Barbara and computer genius Jimmy, alternating between books set in the city (as we New Yorkers call it, as if no other existed) and books set “out of town” (as we characterize all other places from Boston to LA and mountains, lakes, and prairies from sea to shining sea).

My original editor nixed that right away. But I got the last laugh in the long run. Death Will Get You Sober and Death Will Help You Leave Him, the first two published novels made good use of the New York setting. I had fun writing them. But Death Will Extend Your Vacation, my Hamptons mystery—oh, aren’t the Hamptons part of New York City?—came out this year. And while I can’t give details yet, I’ll be signing a contract soon for publication of my novella, Death Will Improve Your Relationship, set at a New Age intentional community in the country that’s known to the locals as Woo-Woo Farm. Writers know the importance of conflict in any story. Hey, take New Yorkers out of the city and put them anywhere else, and you’ve got conflict built right in.