Showing posts with label Self-promotion. Show all posts
Showing posts with label Self-promotion. Show all posts

Sunday, April 13, 2014

OOPS! The Wrong Things to Say to Mystery Readers

So Isobel Allende caused a bit of a stir earlier this year by aiming slighting words at mysteries as she was promoting her first foray into the genre—sort of. I’m not going to get into the whole controversy, but despite a bookseller sending back her autographed copies to the publisher and the reported outrage of mystery readers and writers, Ripper seems to be selling quite well. Of course if you’re going to raise a controversy regarding books, it’s a good idea to do it on National Public Radio since their audience is filled with people who buy books.

I’ve found that many writers can get themselves into trouble as they move from writing to talking, especially when they free associate about mysteries. At a Bouchercon years ago, a writer on a panel announced herself as winner of some book award for her first mystery. The panel went on pleasantly enough. It was the Q&A where it all went wrong. Someone in the audience asked the new award winner what advice she would have for aspiring mystery writers.

“Well, she offered, “can I just say I don’t read mysteries; I don’t like them. Somebody giving out awards decided my book was a mystery. So I got invited to this conference.”

The audience was quiet. And may I say I do not remember what the panel title was, but she repeated the phrase I’ve grown to loathe: “I don’t know why I’m on this panel.”

I wanted to rise from my seat and yell: “You’re on the panel so you can promote your book, but you’ve just blown that opportunity by telling a room full of people who have paid significant money to hear mysteries discussed that you don’t like the genre. Nice work!”

Reginald Hill, whom I still miss, was once on a panel with John Banville/ Benjamin Black. John Banville, the literary novelist, talked about how much easier he had it as Benjamin Black, mystery writer. “Banville produces 200 words a day; Black, 2000.”

Hill responded, “Yes, when I get up in the morning I say to my wife, 'What should I do today? Write a Booker prize winning literary novel or a best selling mystery?’”

Mystery writers write some of the best novels around today; there just happens to be a dead body at some point in the plot.

If you doubt me, try Reginald Hill’s Death’s Jest Book.

© 2014 Stephanie Patterson

Sunday, November 3, 2013

What Am I Doing Wrong?

You and Your Platform for Writers…


Times have changed. Publishers now expect you to do the heavy lifting on you P.R., marketing, etc., getting your name and Brain Children out there. Every serious writer knows this—and lots of us wonder–How In the World Do I Do It on My Own?

Fear not, friends and colleagues. Help is around the corner.

P.J. Nunn is one of those professional sources ready to help you fight the P.R. Monsters!

Today she pays Crime Writer's Chronicle a visit - to share with us all her ideas, her skills, her expertise.
If you are one of the lucky ones who routinely make the List—as golden Bestsellers of the Week—we honor you! But 98% of us don't make the Holy List, or grin all the way to the bank regularly!

P.J. offers a fail-safe platform. You might want to explore further her AOEs—Areas of Expertise!
Welcome, P.J., to our blog for SCW - Serious Crime Writers!

Thelma J. Straw




Times, they are a-changin’. And authors, we’d better be changing too! Ten years ago, the ideas of e-book success and being self-published were ridiculous. The thought that one might aspire to selling 1000 ebooks a month was laughable. Yet here we are, and those are reachable goals for just about any author willing to work for them. So why are so many authors not getting near these numbers? There are several reasons. I’ll address a few here.

1. Lack of research

2. Failure to plan ahead

3. Budget imbalance/DIY (do it yourself)

Lack of research is probably the thing I see most often. People decide to publish and jump at the first opportunity that looks like a match. Either they’ve made up their minds that they don’t want to self-publish and have heard a little about what it takes to get published traditionally so they think they know what to do, OR they’ve decided to self-publish and think they know what to do. In most cases, whichever version you choose, they find out there’s a lot they don’t know. Alas, they often find out too late after contracts have been signed and they’re left to make the best of a bad situation. I’m saddened by the number of clients who’ve hired me thinking they are traditionally published only to learn that by industry standards, they’re not. They’re self-published BUT they’ve signed a contract with a vanity press and now there’s no turning back.

I realize it’s hard because when you’re just starting out you probably don’t know enough about the industry to even know which questions to ask. That’s why I can’t stress enough that if you believe you want to get published one way or another, the very best thing you can do is get involved with a well-established writer’s organization such as Sisters in Crime, Romance Writers of America, Florida Writer’s Association, etc. They’re everywhere and what you’ll learn in groups like these can save you years of heartache as well as a lot of cash. At the very least, get involved in some e-groups or lists and just lurk for a while. There are a lot of myths on the Internet and not everyone who acts like an expert IS an expert but you’ll come across some like myself who’ve been in the business for many years and are willing to answer a question or two. Don’t hesitate to ask and ask again until you get an answer.

Failure to plan ahead is another problem I see often. Most people wouldn’t dream of starting a new business without a business plan firmly in hand that included marketing strategies for at least one year, usually five years. So why in the world do people think they can launch a whole new career as an author, thinking it will provide a retirement income, flying by the seat of their proverbial pants?? Every day I see this. They want it to be a viable career with a steady, livable income, but don’t want there to be any expense! Nice work if you can get it but I haven’t seen that happen yet.

Every new business has expenses and must have a plan to get information in front of potential customers and, once those potential customers have become customers, to keep them coming back. All too many authors seem to think that writing the book is enough and it will do the rest of the work for them. Or maybe they don’t think that, they just don’t think that far ahead. If your book is scheduled for release in December, do you have a grand opening party planned? Have invitations been sent? Ads designed and purchased? Cake ordered? Media alerted? Seriously.

And more importantly, assuming your grand launch is a success, what’s the next event you have planned to capture potential customers who didn’t make the launch party? And what about the potential customers that never heard of your book until March? Or July?

What type of marketing activity do you have planned for the fall, before it’s time to launch another book in December? Will there be a new book in December? Lots and lots of questions and planning to do.

Budget imbalance and DIY (do it yourself) usually come about as a result of the Lack of research and the Failure to plan ahead. Somewhere along the way, especially if you’ve opted to go the Self-Published route, you realize there are necessary expenses but you don’t have the money. Now what? Some authors make a list of things they think they need and just start at the top until they run out of funds. Others try to prioritize in a variety of ways, but still come up short. Necessity is the mother of invention, so they say, but be careful. Some of us just aren’t cut out for website design or other graphic endeavors. If your work when doing it yourself isn't good enough for someone to pay you for, it's probably not good enough to represent you well either. Be smart and know your limitations. A bad cover can really hurt sales. Staff your weaknesses. A web site that looks “home made” may be the kiss of death.

Take time to make a good plan. Start over if you have to. What matters most is the finished product and release dates can always be delayed. If you’re diligent in your research, you’ll find graphic artists who are both talented and affordable. I shudder when I hear some of the prices authors have paid for cover art or web design. That old adage you get what you pay for doesn’t always apply here. GET REFERENCES.

Most of all, approach everything from a business standpoint if you hope to achieve business income. Otherwise we’re talking “hobby” and you can pay whatever you want. Is it possible to sell more than 1000 books a month in today’s market? Absolutely. In fact it’s probably easier than it’s ever been. But the average small press/self-published author sells approximately 250 copies. The real question is—is it possible for you to sell more than 1000 of your books with the business plan you have in place? What do you think?

© 2013 P.J. Nunn


In 1998, PJ Nunn founded BreakThrough Promotions, now a national public relations firm helping authors, mostly of mystery novels, publicize themselves and their work. The business is thriving and PJ is excited about the release of her first novels,Angel Killer: a Shari Markam Mystery and Private Spies: a Jesse Morgan Mystery. PJ lives with her husband and some of their five children near Dallas, TX. Learn more at http://pjnunn.com.


Links:

Facebook/PJ - https://www.facebook.com/authorpjnunn

Facebook/BreakThrough - https://www.facebook.com/breakthroughpromo

Twitter – www.twitter.com/PJNunn

GoodReads - www.goodreads.com/author/dashboard

Blog – pjnunn.wordpress.com


PJ Nunn 972-825-1171
BreakThrough Promotions
bookbrowsing.wordpress.com
breakthroughpromotions.net

Wednesday, September 26, 2012

Internet Constant Contact: How Much Is Too Much?


We need to talk.  Before my thoughts on this subject solidify.

On Facebook, two or three of my friends tend to post or share pictures eight or ten times quickly within half an hour or so.  On Twitter, there are people who tweet twelve or fifteen times a day.

“Bling!”  “Bling!” If my phone makes a noise announcing a text message, I pay attention.  It could be a family member who needs help.  It could be a witty friend inviting me for a chat and a glass or three of wine.  It could be my agent announcing a movie deal!  Most likely: it’s another writer tweeting to announce a new blog post.  Sometimes, it all seems like a bit much.

I agree wholeheartedly that we all need to take full advantage of the opportunities available from sites like Facebook and Twitter.  I have a feeling I don’t do enough.  You may feel the same.  Like most of the writers I know well, I am more or less desperate to attract attention to my work.  I am not at all above using shameless self-promotion.  Look what I am doing right now, for instance.  And yes, I will FB and tweet links to this rant.  This is all true.  But that said, I for one will benefit from some discussion of the question “How much is too much?” Is all this social media stuff something to do while procrastinating about getting on with the next book? 

Getting a substantive conversation going on a blog is a tricky business, but I hold out hope that you will weigh in on this.  How much is just enough when it comes to these sorts of communications?  And how many tweets or postings a day would you say are too many?  How should we space them out?  And how would you politely tell that wonderful writer whose work you so admire that telling everyone on FB every time her cat sneezes is not going to get us to like her more?

 Before I start annoying the stuffing out of all my friends, I really need to know what you think?

Annamaria Alfieri