If you are past sixty and were a Patrolman in the New York City Police Department in the 1960s and 1970s as I was (not to mention the 80s), then the name KNAPP divides your memories, like Moses parting the Red Sea, into the nostalgia-drenched PRE- KNAPP Days and the paranoid POST-KNAPP World.
Sure, I took money; everybody did. It was the custom. But not with both hands like Patrolman William Phillips, nor with the princely touch of Detective Robert Leuci, nor stupidly like my buddy, Patrolman Edward F. Droge, Jr. It was more a Gentlemen’s Agreement: that the “gratuity” (a Knapp word) be offered, and bad manners to refuse. At least, that was the way things were when fellow-Brooklynite Eddie Droge and I joined the Finest on May 15, 1967, and that’s the way things stayed until KNAPP fell upon us like a pack of wolves on a herd of nodding sheep.
I refer to the Knapp Commission Investigation Into Allegations of Police Corruption in the New York City Police Department, anointed by Mayor John V. Lindsay on May 21, 1970, in the wake of a story in the New York Times on April 25, 1970 by muck-raking journalist David Burnham. It revealed the graft being paid by gamblers and whorehouse madams to every swinging plainclothesman in every Division in every Borough of the City. Well, not quite every plainclothesman. If Diogenes had still been abroad with his lantern, his quest for an honest man could have ended with Plainclothes Patrolman Frank Serpico. Serpico was reporter Burnham’s Deep Throat, who took a bullet in the face for his principles, but survived to become an international figure, the subject of a biography by Peter Maas and a movie starring Al Pacino.
The ‘pads’ (a cop word) guaranteed each plainclothesman $500 in an envelope each month if he worked in the Fifteenth Division in Queens, $800 if assigned to the Thirteenth Division in Brooklyn, $800 in the First and Third Divisions in Manhattan, and $1,500 in Harlem (the Dream Posting). It was all news to me; with three years on The Job I was still regarded as a rookie. Plainclothesmen worked out-of-uniform, were not dispatched on calls over the police radio. Worked in teams, focusing on their own pre-determined targets by surveilling them on stakeouts and illegally wiretapping their phones. They answered only to the Plainclothes Sergeant. Even a rookie knew that much. But if you were “in clothes,” you didn’t talk shop with outsiders.
The KNAPP Commission, headed by the Wall Street lawyer Whittman Knapp, invented the word corrupt and tagged the NYPD with it during its first public hearings in October, 1971. I know this because when Eddie Droge and I were appointed Probationary Patrolmen in May, 1967, nobody in the New York Police Department was corrupt. From 1967 till the coming of KNAPP in 1970, I don’t recall ever hearing corrupt or corruption applied to New York City policemen. Not because we didn’t take money or didn’t do what KNAPP exposed that we were doing, but simply because those terms weren’t in general currency then. It took Commissions like KNAPP and MOLLEN (the latter also named after its head, former Judge Milton Mollen, appointed by New York City Mayor David Dinkens in 1992 “to investigate Police Corruption, etc”) – to give corrupt, corruption and corrupt policemen the currency that has long outlived memory of the bodies that coined them.
I know this because New York City cops in 1967, 1968, 1969, 1970 (and probably since time immemorial) — with as few exceptions as there are genuine saints in heaven, or wherever they reside — all of us took gratuities (another KNAPP word) of one sort or another. There were cops like me who, at end of tour, might end up with a little extra in his pocket or been fed “on the arm” (no charge) by a restauranteur. And then there were the Phillips, Leucis and Droges who shook down every gambler or drug dealer who crossed their paths. I never knew personally any Phillips or Leuci – whose raison d’etre was to score (a cop word) every gambler, prostitute, pimp, whoever had an illegal dollar in his or her pocket that they could get a hand on. Most cops were like me and, I suppose, Eddie Droge, at least at the beginning.
It’s the late morning or early afternoon of October 21, 1971, and I wake up in my apartment in Greenpoint, Brooklyn alone, hung-over after a four-to-twelve tour the night before, which always extends to 4 a.m., the last four hours of which we spend in Cal’s Bar on East 5th Street adjacent to the 9th Precinct where I’m permanently assigned. I wake up and punch on the TV for the news and weather and there is my Police Academy classmate, my buddy Eddie Droge, in the witness stand testifying before the KNAPP Commission. Eddie has the youthful appearance of a 24-year-old. I can still see the kid-cop who, during breaks in the Police Academy gym, would bend our ears about the Beetles and joys of smoking pot. The only addition to the baby face is a pencil-thin moustache above his lip.
Aside from that, it’s the old Eddie Droge except that what he’s saying is not how I remembered the old Eddie.
He was describing to the KNAPP Commission, and the world, how he and his partner — and, it was implied, all the other cops of Brooklyn’s 80th Precinct, in Bedford-Stuyvesant — would routinely score any gambler they came across while on patrol. In fact, they hunted gamblers like deer in season. Gamblers apparently were always in season in the old Eight-O. And when Eddie and his partner were fortunate enough to snare their prey, they’d take the gambler indoors or strike the bargain in the back of the radio car. The gambler ransomed himself by agreeing to a ‘Monthly Pad’ for Eddie and his partner and the two other radio car crews in that sector — I forget the amounts mentioned, but it was per man per month, depending upon the size of the gambler’s action. I remember thinking if there were a lot of gamblers in the old Eight-O, it would add up.
Eddie was testifying under a promise of immunity because he had arrested a ‘mope’ (cop term) for selling narcotics in the 80 Precinct sometime earlier that year, but had been persuaded to accept $300 in the men’s room at Brooklyn Criminal Court at 120 Schermerhorn Street in lieu of giving truthful testimony at a Suppression Hearing on the arrest he had made. He sold the case for a $300 bribe. What Eddie didn’t know in the men’s room, however, was that he had been shopped by his arrestee, who had been fitted out with an electronic recording device by KNAPP investigators.
Eddie’s deal with the KNAPP Commission was his testimony, painting a picture of the routine, bottom-feeder corruption practiced by the ordinary cops of the Eight-O. And the 80th was meant to stand in for all seventy-five police precincts in the city at the time.
Eddie did what he had to do to avoid jail. He had been on a one-year leave-of-absence from the Department attending college in Los Angeles. I’m sure he intended to never return, to put the Job and the old life behind him. Yet, the Knapp investigators had coerced his return to testify, and the anecdotes he recounted rang true. Afterward, he was allowed to resign and return to California. At the time and still, from the vantage point of forty-plus years, I don’t fault Eddie for what he did. Cops don’t jail well. Once, I googled Edward F. Droge, Jr. He’d published two books in the 1970s about his police days: an autobiography, “A Patrolman’s Story,” and a novel; I’d read both. I didn’t know that he’d gotten a PhD in Education from Harvard, taught there, and over the past twenty-five years been headmaster at various private academies. Eddie had turned it around.
Maybe I’ll give him a shout, talk about the good times.
Robert Knightly
Sunday, January 8, 2012
Friday, January 6, 2012
Embracing the New Year
Yes, folks, 2012 is here, probably not the year the world will end. I think we were a lot closer in 1953. Remember the doomsday clock? Remember how the authorities told us to duck under our desks and cover our heads? As if that would save us when the ICBMs came raining down. Remember the house the government built out in the desert somewhere, a nice split-level like the ones we all lived in, so that they could blow it up with an atomic bomb and show us the footage on TV? I particularly recall the venetian blinds, how they flew off the windows and sliced the dummies all up. Don't use venetian blinds, the voice-over guy told us. They'll cut you to ribbons before you have a chance to burn to death when the bombs come.
So I ain't scared of a bunch of dead Mayans. Our government has them way outclassed in the way of spreading the fear of the End. No, I'm looking forward to 2012, and the two-hundredth anniversary of the War of 1812, one of my favorites, where Canada and the US fought to a draw and later on decided to be friends. Or earlier on, in the case of the St. Croix River Valley. In honor of the new year, and in the confident hope that I'll survive to see the end of it, I'm overhauling my web site yet again.
Check it out. Harold says I should get a focus group to look at it and tell me what they think. I started out by tinkering with the author photo, where I thought my face might be a tad too red. Nice photo, by the way; it was taken by photographer Maureen A. Vacarro, who likes a credit when I can fit one in. But I tinkered with it until I looked about three days dead, and I sort of liked it. Harold didn't, though. Of course he was right as usual and I put it back.
You'll notice that the page has a big white space in the middle. There I mean to post little YouTubes from time to time, new trailers and items of interest. You'll notice also that the links lead to the same old inner pages, which need work. I'll get to that. Also I have to post the press photos. Right now the press is not beating down my door for photos and interviews, but it never hurts to be ready.
And so, Happy New Year! Onward and upward!
Kate Gallison
So I ain't scared of a bunch of dead Mayans. Our government has them way outclassed in the way of spreading the fear of the End. No, I'm looking forward to 2012, and the two-hundredth anniversary of the War of 1812, one of my favorites, where Canada and the US fought to a draw and later on decided to be friends. Or earlier on, in the case of the St. Croix River Valley. In honor of the new year, and in the confident hope that I'll survive to see the end of it, I'm overhauling my web site yet again.
Check it out. Harold says I should get a focus group to look at it and tell me what they think. I started out by tinkering with the author photo, where I thought my face might be a tad too red. Nice photo, by the way; it was taken by photographer Maureen A. Vacarro, who likes a credit when I can fit one in. But I tinkered with it until I looked about three days dead, and I sort of liked it. Harold didn't, though. Of course he was right as usual and I put it back.
You'll notice that the page has a big white space in the middle. There I mean to post little YouTubes from time to time, new trailers and items of interest. You'll notice also that the links lead to the same old inner pages, which need work. I'll get to that. Also I have to post the press photos. Right now the press is not beating down my door for photos and interviews, but it never hurts to be ready.
And so, Happy New Year! Onward and upward!
Kate Gallison
Wednesday, January 4, 2012
A Vine in the Blood, Leighton Gage's Latest
Today, I have invited my friend and splendid writer Leighton Gage to drop by and tell us about his latest, A Vine in the Blood, which launched last week in the United States and Canada. Leighton lives in a small town in Brazil and writes fascinating police procedurals set in that country. I already have my copy. Once you’ve read the reviews, you’ll want one, too!
Annamaria Alfieri
A Vine in the Blood, the fifth in the Chief Inspector Mario Silva series, is set against the background of the soccer World Cup.
But you don’t have to like the sport to enjoy the book.
Glenn Harper, writing in International Noir Fiction, put it best:
I'm not a fan of football/soccer, and the (subject matter) gave me a little pause – but I needn't have worried. The book is in part about the social phenomenon of football, but not really about the game.
A Vine in the Blood begins with the kidnapping of Juraci Santos, the mother of Tico Santos, Brazil’s greatest striker. And the timing of her abduction couldn’t be worse: only days remain before the beginning of the tournament.
Tico is distraught, and completely off his game. If Silva and his team can’t recover the lady in time, the team may have to play without him.
And that would put them in grave danger of suffering a humiliating defeat by their greatest rival.
Suspects abound, and they run the gamut from Tico’s gold-digging girlfriend, to his team’s manager, to a big-time gangster, to a cabal of Argentineans.
There are twists and turns, there’s not a little humor, and I think you’re going to like it.
But I’m not good at blowing my own horn.
Fortunately, a few folks have already stepped-up to speak on my behalf:
Gage knows Brazil well and has a cast of characters so amusing and so skillfully constructed that this novel is irresistible. — Toronto Globe and Mail.
Coincidence, that. The Globe and Mail used exactly the same word (irresistible) that the New York Times used to describe Every Bitter Thing, my last book.
The trade press was also very complimentary:
Rising above Brazilian brutality, corruption, and bribery with uncommon wit and the help of his colorful, appealing colleagues, (Silva) scores a winning goal in an enormously complex kidnap payoff scheme. — Publisher’s Weekly (starred review)
And Dana King, writing in the New Mystery Reader, had this to say:
Let’s take a moment to celebrate excellence…(“A Vine in the Blood” is) a great story, well told.
Dana’s review is a brilliant piece of writing, from a guy who knows the mystery genre inside out. If you have a moment, I suggest you go there and read what he had to say in its entirety:
http://www.newmysteryreader.com/November_and_December_Hardcover_Mystery.htm#vine in the blood
At the end, you’ll find a link to an interview he did with me.
Another fine piece of journalism is the lengthy, well-written and well-researched review James Thompson published in the New York Journal of Books:
http://www.nyjournalofbooks.com/review/vine-blood
Here’s an extract:
Mr. Gage is a master of the procedural who paints with a fine brush, using the tools he needs to craft a fine novel — and no more.
Want to sample the book? You can do so on the book’s Barnes and Noble page, where they’ve included an entire first chapter:
http://www.barnesandnoble.com/w/a-vine-in-the-blood-gage-leighton/1103377816?ean=9781616950040&itm=5&usri=leighton%252bgage
(Scroll down and click on “Read More”.)
Finally, for those of you who are into first lines, here it is:
Less than an hour after Juraci Santos was unceremoniously dumped into the back seat of her kidnappers’ getaway car, Luca Vaz crept through her front gate and poisoned her bougainvilleas.
Thanks, Annamaria, for inviting me.
Love this blog!
Leighton Gage
Annamaria Alfieri
A Vine in the Blood, the fifth in the Chief Inspector Mario Silva series, is set against the background of the soccer World Cup.
But you don’t have to like the sport to enjoy the book.
Glenn Harper, writing in International Noir Fiction, put it best:
I'm not a fan of football/soccer, and the (subject matter) gave me a little pause – but I needn't have worried. The book is in part about the social phenomenon of football, but not really about the game.
A Vine in the Blood begins with the kidnapping of Juraci Santos, the mother of Tico Santos, Brazil’s greatest striker. And the timing of her abduction couldn’t be worse: only days remain before the beginning of the tournament.
Tico is distraught, and completely off his game. If Silva and his team can’t recover the lady in time, the team may have to play without him.
And that would put them in grave danger of suffering a humiliating defeat by their greatest rival.
Suspects abound, and they run the gamut from Tico’s gold-digging girlfriend, to his team’s manager, to a big-time gangster, to a cabal of Argentineans.
There are twists and turns, there’s not a little humor, and I think you’re going to like it.
But I’m not good at blowing my own horn.
Fortunately, a few folks have already stepped-up to speak on my behalf:
Gage knows Brazil well and has a cast of characters so amusing and so skillfully constructed that this novel is irresistible. — Toronto Globe and Mail.
Coincidence, that. The Globe and Mail used exactly the same word (irresistible) that the New York Times used to describe Every Bitter Thing, my last book.
The trade press was also very complimentary:
Rising above Brazilian brutality, corruption, and bribery with uncommon wit and the help of his colorful, appealing colleagues, (Silva) scores a winning goal in an enormously complex kidnap payoff scheme. — Publisher’s Weekly (starred review)
And Dana King, writing in the New Mystery Reader, had this to say:
Let’s take a moment to celebrate excellence…(“A Vine in the Blood” is) a great story, well told.
Dana’s review is a brilliant piece of writing, from a guy who knows the mystery genre inside out. If you have a moment, I suggest you go there and read what he had to say in its entirety:
http://www.newmysteryreader.com/November_and_December_Hardcover_Mystery.htm#vine in the blood
At the end, you’ll find a link to an interview he did with me.
Another fine piece of journalism is the lengthy, well-written and well-researched review James Thompson published in the New York Journal of Books:
http://www.nyjournalofbooks.com/review/vine-blood
Here’s an extract:
Mr. Gage is a master of the procedural who paints with a fine brush, using the tools he needs to craft a fine novel — and no more.
Want to sample the book? You can do so on the book’s Barnes and Noble page, where they’ve included an entire first chapter:
http://www.barnesandnoble.com/w/a-vine-in-the-blood-gage-leighton/1103377816?ean=9781616950040&itm=5&usri=leighton%252bgage
(Scroll down and click on “Read More”.)
Finally, for those of you who are into first lines, here it is:
Less than an hour after Juraci Santos was unceremoniously dumped into the back seat of her kidnappers’ getaway car, Luca Vaz crept through her front gate and poisoned her bougainvilleas.
Thanks, Annamaria, for inviting me.
Love this blog!
Leighton Gage
Monday, January 2, 2012
Post-Holiday Letdown…
…is what I’m suffering from right now. It happens every year as the night follows day. But this year it seems worse than usual. I have sought advice. One friend suggested a brisk walk. I tried that and all I saw were rows of naked, abandoned fir trees lining the curb. And, in the stores, signs for Christmas decorations at half-price. Then, to top it off, one clerk was arranging valentines on the shelves. Valentines on January first!
Another friend suggested I go to a movie. A good thought, but when you come out from that dark refuge, you are struck all over again by the grim realities of life. Bills, thank you notes, returning unwanted gifts, etc. My husband thinks he has the perfect solution. He says, “Don’t enjoy the holidays, then you won’t feel letdown afterward.” In other words, stay down all the time. Not for me. I’d rather have the ups and downs, even though the downs are painful.
I have compiled a small collection of quotes to share with anyone out there who is suffering from the same malady as I am. Here they are:
“Christmas isn’t a season. It’s a feeling.” Edna Ferber
“Christmas, children, is not a date. It is a state of mind.” Mary Ellen Chase
“I will honor Christmas in my heart, and try to keep it all the year.” Charles Dickens
Happy New Year!
Robin Hathaway
Another friend suggested I go to a movie. A good thought, but when you come out from that dark refuge, you are struck all over again by the grim realities of life. Bills, thank you notes, returning unwanted gifts, etc. My husband thinks he has the perfect solution. He says, “Don’t enjoy the holidays, then you won’t feel letdown afterward.” In other words, stay down all the time. Not for me. I’d rather have the ups and downs, even though the downs are painful.
I have compiled a small collection of quotes to share with anyone out there who is suffering from the same malady as I am. Here they are:
“Christmas isn’t a season. It’s a feeling.” Edna Ferber
“Christmas, children, is not a date. It is a state of mind.” Mary Ellen Chase
“I will honor Christmas in my heart, and try to keep it all the year.” Charles Dickens
Happy New Year!
Robin Hathaway
Sunday, January 1, 2012
Happy New Year and a Blessed 20*C*M*B*12 to You!
January, named after Janus the Roman god of doorways and begnnings, looking to the past and the future.
On January 6 many people will celebrate Twelfth Night, a festival concluding the Twelve Days of Christmas. The last day of the Christmas festivities, a time of merrymaking with a wassail punch - bowls of "lamb's wool" made of sugar, nutmeg, ginger and ale. A time to consume fruits and nuts and eat the King Cake.
January 6 is also known as the visit of the three wise men, the tres magi reges or los tres reyes magos – Caspar, Melchior and Balthasar, who went to Bethlehem at a time based, not only on the light of a star (or comet) but on the Jewish Feast of Lights.
Many Eastern Orthodox churches treat January 6 as the day marking the birth of Christ.
Caspar was thought to be a Persian scholar, Melchior, Babylonian, and Balthasar, Arab. Some Chinese Christians believe one of the Magi came from China.
Various traditions teach that the remains of the Magi are buried at the Shrine of The Three Kings at Cologne Cathedral.
A tradition in Central Europe involves writing the initials of the three kings with the year number split – as in – 20 * C * M * B * 12 – above the main door of the home in chalk, to confer blessings on the occupants for the New Year.
The initials C, M, B also represent "Christus mansionem benedicat," Christ this abode bless.
Most traditions assume there were three Magi, but some eastern authorities believe in twelve Magi. That the men were Kings may have come from Psalm 72:11 – " All kings shall fall down before thee. "
The Gospel of St. Matthew classes them as "Wise men from the east."
Matthew also mentions the gifts of gold, frankincense and myrrh. Tradition has it that gold was a symbol of kingship on earth or virtue, frankincense a symbol of priesthood or prayer, and myrrh a symbol of death or suffering.
In my play, The Birth of Christ, which was presented for ten years by my students at Saint Mary's School, Sewanee, Tennessee, the three kings play a key role, with slightly different interpretations of their gifts.
The old Magi are sensitive and prescient in this drama. They speak of the stars in this land as almost black, except for the one that leads them. King Two says, "Never have I seen any star glow with such fire."
King Three: "There is something touching mankind this night that I have never seen before."
They are fairly specific about the gifts they bring. "My greatest treasure, a babe's weight in pure gold. My gold will buy the finest horses in Arabia, outfit such a king with armor wrought by the finest smiths of Persia and a sword of the new metal I have seen in my travel."
"I bear in my hands the magic of all the east, the perfumes and spices of my people, and a light from the fire that has burned in my city for ages long... Our friend can call himself the light of the world – and such a palace he will have... "
King Three brings "a bit of myrrh for suffering. And a rose - for love... this rose will rise above the dust and snow of men's cold hearts to bring springtime ... and when he has touched it, it shall never wither..."
* * * * * * *
In 2012 we can build our own futures on the past, add on the gifts of the present and create our own traditions, if we wish. . .
May each of us, whatever our faiths, both give and receive our own personal gifts of gold, frankincense and myrrh in 20 *C * M * B * 12.
Thelma J. Straw
On January 6 many people will celebrate Twelfth Night, a festival concluding the Twelve Days of Christmas. The last day of the Christmas festivities, a time of merrymaking with a wassail punch - bowls of "lamb's wool" made of sugar, nutmeg, ginger and ale. A time to consume fruits and nuts and eat the King Cake.
January 6 is also known as the visit of the three wise men, the tres magi reges or los tres reyes magos – Caspar, Melchior and Balthasar, who went to Bethlehem at a time based, not only on the light of a star (or comet) but on the Jewish Feast of Lights.
Many Eastern Orthodox churches treat January 6 as the day marking the birth of Christ.
Caspar was thought to be a Persian scholar, Melchior, Babylonian, and Balthasar, Arab. Some Chinese Christians believe one of the Magi came from China.
Various traditions teach that the remains of the Magi are buried at the Shrine of The Three Kings at Cologne Cathedral.
A tradition in Central Europe involves writing the initials of the three kings with the year number split – as in – 20 * C * M * B * 12 – above the main door of the home in chalk, to confer blessings on the occupants for the New Year.
The initials C, M, B also represent "Christus mansionem benedicat," Christ this abode bless.
Most traditions assume there were three Magi, but some eastern authorities believe in twelve Magi. That the men were Kings may have come from Psalm 72:11 – " All kings shall fall down before thee. "
The Gospel of St. Matthew classes them as "Wise men from the east."
Matthew also mentions the gifts of gold, frankincense and myrrh. Tradition has it that gold was a symbol of kingship on earth or virtue, frankincense a symbol of priesthood or prayer, and myrrh a symbol of death or suffering.
In my play, The Birth of Christ, which was presented for ten years by my students at Saint Mary's School, Sewanee, Tennessee, the three kings play a key role, with slightly different interpretations of their gifts.
The old Magi are sensitive and prescient in this drama. They speak of the stars in this land as almost black, except for the one that leads them. King Two says, "Never have I seen any star glow with such fire."
King Three: "There is something touching mankind this night that I have never seen before."
They are fairly specific about the gifts they bring. "My greatest treasure, a babe's weight in pure gold. My gold will buy the finest horses in Arabia, outfit such a king with armor wrought by the finest smiths of Persia and a sword of the new metal I have seen in my travel."
"I bear in my hands the magic of all the east, the perfumes and spices of my people, and a light from the fire that has burned in my city for ages long... Our friend can call himself the light of the world – and such a palace he will have... "
King Three brings "a bit of myrrh for suffering. And a rose - for love... this rose will rise above the dust and snow of men's cold hearts to bring springtime ... and when he has touched it, it shall never wither..."
* * * * * * *
In 2012 we can build our own futures on the past, add on the gifts of the present and create our own traditions, if we wish. . .
May each of us, whatever our faiths, both give and receive our own personal gifts of gold, frankincense and myrrh in 20 *C * M * B * 12.
Thelma J. Straw
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