I met Bill Chambers at an MWA dinner in 2000 or 2001. Later I discovered we both grew up in Greenpoint, Brooklyn but at opposite ends. Bill was the Executive Vice President (EVP) of MWA then, and a wanna-be mystery author never got a warmer welcome at our meetings than Bill’s smiling Irish face. Bill had been an installer for Bell Telephone and Chief Steward with Local 1101 of the Communication Workers of America.
Bill is a doer who employed vision and smarts as our EVP. Witness the fact he persuaded the management of the Grand Hyatt Hotel on 42nd Street to host the Edgars at half their usual rates. “I liked the class of the place,” he says, “and I promised to pack the Dinner with celebrities.” Mary Higgins Clark, Mickey Spillane and Jerry Orbach attended, among others, and we’ve been there ever since.
Bill has published three novels—‘Death Toll’, ‘The Redemption Factor’ and ‘The Tormentress’—and a score of short stories in mystery magazines and anthologies here and in the United Kingdom. ‘If I Quench Thee…’, his story of an interracial murder, was re-published in 2008 by Alfred Hitchcock’s Mystery Magazine as a Mystery Classic, and is required reading in the Middle Schools of Scotland and London.
–Robert Knightly
I want to thank Bob Knightly for giving me the opportunity to share some of my experiences as a mystery writer and an MWA member. My first encounter with MWA was in passing its headquarters at 151 West 48th Street between 6th and 7th Avenue with my then girlfriend—now wife of 48 years—Marie, back in 1962 or 63. It was a blistering Sunday afternoon in July and as I looked up at the second floor window bearing the caricature of Edgar Allan Poe and the insignia Mystery Writers of America, I said something like, "I hope someday to be able to belong to that organization.”
Little did I dream that I would one day be Executive Vice President of MWA: 2000-2002. Marie believes in destiny and skeptic though I am I suspect she might be right. If fortune does deal us a hand I think freewill allows us the right to choose whether we play it or not.
It wasn’t until 1968 that again something fateful occurred to put me back on the road to MWA. A neighborhood friend who displayed a similar interest in fiction writing as I did took a clipping from the New York Times Classified Section and showed me a fine print ad concerning a short story course offered by the Mystery Writers of America. The price back then was I believe $25 and you received a three month, once weekly, two hour evening course conducted by novelist, short story writer and former MWA President Herbert Brean. I couldn’t wait to sign up. But my friend dropped out so I went to MWA’s West Side headquarters nervous and alone.
My first evening in that class dispelled any and all jitters. Then like now the atmosphere was warm and friendly—Mr. Brean put everyone at ease—and by the end of the night all 12 or so of us students had become relaxed and well acquainted.
I took that course three years in a row because it took Mr. Brean that long to hammer the art of understatement so necessary to successful short fiction into my dense skull. But my instructor had hopes for me. When I showed up on year three he said, “Bill I know you’re going to succeed because you’re too dumb to quit.” He laughed, I laughed and I got published at the end of that course. My short story “Don’t Kill A Karate Fighter” was published by Mike Shayne’s Mystery Magazine and my membership was upgraded from Affiliate to Active before the year was over.
Back then the whole Times Square Scene was rough. Crime, prostitution, drug dealing and Three Card Monte games flourished openly. Cops played streetwise whack a mole; they would pull one bad guy off the street and before they reached the station house two replacements would show up. When I went to Haaren High School—now John Jay College—on 10th Avenue and 59th street I followed my curiosity about Manhattan through every neighborhood East Side/West Side from Hell’s Kitchen to Battery Park and I was quite familiar with the culture or lack of it permeating the West 40’s. So I had no qualms about attending the monthly parties at MWA Headquarters and neither did anybody else. We knew that if you avoided the bad guys—had no commerce with them—they generally left you alone.
The parties in those days had a two dollar entrance fee that helped support the organization and whichever member volunteered to bartend received free drinks all night long. Besides that the costs of the drinks were so cheap they barely paid for the bottle they came out of. While my nerves no longer rattled like the night I became a student they flared once again when Marie and I walked into our first MWA party after Mr. Brean explained to us that as aspiring mystery writers we were welcome to attend with or without our significant others.
Well the first person to greet us as we walked through the door was an MWA legend named Chris Steinbrunner. Chris worked for WOR TV Channel 9 as executive producer to the television show Journey to Adventure; published a science fiction series; wrote non-fiction; and long before MWA adopted Roberts Rules of Order and became a 501C3 corporation with stringent by-laws to guide board regulations Chris was our perennial Executive Vice President. He quickly advised me that if I wanted to really meet people I should tend bar.
“They all end up there,” he said. I immediately followed that advice and it paid off in network connections, close acquaintances and some lifelong friendships.
But getting back to that first party: It was with butterflies that I shook hands with the legends of the time. Michael Avallone—whose Ed Noon series rivaled Mickey Spillane’s Mike Hammer in the 1950’s—was second to greet us after Chris. When he found out my wife’s middle name is Antoinette he called her by the queen’s full name ever after. Next greeter was Ed Hoch, even at that time a legendary short story writer. We remained friends until his death in 2008. Then came Aaron Marc Stein who wrote best selling mysteries under the nom de plume George Bagby; Also Hillary Waugh, pioneer of the Police Procedural, most notably Last Seen Wearing. While there were too many others to mention in this blog I must say Marie and I left that party feeling we had gained a new family. True enough: That was 44 years ago and I’m still a member.
While I can probably recall more factual stories I believe I’ve already exceeded my word total. But I’ll try and squeeze in another anecdote. Gloria Amory was MWA’s secretary during the 60’s and 70’s and one night after a party I was walking her to the subway when she stopped to point out an incident on the opposite corner. Some John must have financially stiffed a hooker because he was imprisoned in his car surrounded by ladies of the night who were rocking the vehicle and screaming curses and threats. Meantime a few feet from us a beat cop was earnestly engaged in conversation with a charming young lady. I approached the enthralled young officer and said, “Pardon me. I think someone is being murdered across the street.” He ran right over but we didn’t stick around to watch the melee. So the ending to this tale will have to remain a mystery.
Bill Chambers
Showing posts with label MWA. Show all posts
Showing posts with label MWA. Show all posts
Sunday, January 20, 2013
Monday, May 7, 2012
Spring High and Low Points
April and May are always filled with activities, most pleasurable, a few, not so. Sometimes too much socializing can be hard on the body and soul. My face is stiff from smiling, my throat is sore from gabbing, and my emotions are ragged from being torn between happy and sad.
It began with Edgar Week, the MWA Symposium and the Agents & Editor’s Party. The high point of the Symposium was hearing Martha Grimes bravely admit she had no publisher, and meeting this gracious lady afterward. She has been so prolific, I felt ashamed of my own poor showing. And she is still going strong. At the party, later, it was fun to meet up with friends I hadn’t seen in awhile.
At Malice, again I saw people who I had missed and whose friendship I cherish. I joined in drinking a toast to the memory of Ruth Cavin, my former editor — a sad moment. But I enjoyed the banquet and cheering the latest Agatha winners.
The next event was pure joy. Seeing my eight-year-old grandson as Napoleon in his school play. He was perfect. Didn’t crack a smile, but caused a lot of laughter in the audience. I caught a glimpse of my 2½-year-old grandson and got to push him on a swing. Unfortunately, I missed my five-year-old granddaughter’s dance program because I had to be back in Philadelphia for my 60th High School Reunion! (That’s what I mean about spring being too full!)
The reunion was a mixed blessing. It was fun to see everyone who was there, but not much fun to listen to the list of those who had departed, followed by a moment of silence.
This week I’m staying home, getting rid of the dust that has gathered, giving my husband a break from his diet of Lean Cuisines, and attacking my current manuscript which has languished on my desk far too long.
Robin Hathaway
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| Martha Grimes |
At Malice, again I saw people who I had missed and whose friendship I cherish. I joined in drinking a toast to the memory of Ruth Cavin, my former editor — a sad moment. But I enjoyed the banquet and cheering the latest Agatha winners.
The next event was pure joy. Seeing my eight-year-old grandson as Napoleon in his school play. He was perfect. Didn’t crack a smile, but caused a lot of laughter in the audience. I caught a glimpse of my 2½-year-old grandson and got to push him on a swing. Unfortunately, I missed my five-year-old granddaughter’s dance program because I had to be back in Philadelphia for my 60th High School Reunion! (That’s what I mean about spring being too full!)
The reunion was a mixed blessing. It was fun to see everyone who was there, but not much fun to listen to the list of those who had departed, followed by a moment of silence.
This week I’m staying home, getting rid of the dust that has gathered, giving my husband a break from his diet of Lean Cuisines, and attacking my current manuscript which has languished on my desk far too long.
Robin Hathaway
Sunday, December 4, 2011
Why Belong to Writers' Organizations?
Not just because the art/job/calling of being a writer is a lonely place.
Most of us like company. We relish our solitude, but we are also pack animals. It's what runs countries, schools, celebrations, companies - all the rites of life on this blessed planet.
Joining a group of fellow writers does give episodes of relief from aloneness.
Membership in an organized tribe that promotes the craft and business, far above the limits one's selfdom could plug into.
We get gemutlichkeit, that congeniality and warm cordiality not found at a solitary machine, that no matter how many bells and whistles it boasts of, can't give us a smile, a hug, or a warm greeting – "Great to see you here tonight!"
Not only the human bonding, both collegial and competitive, but the prestige. "I'm a member of ... MWA... SinC... ITW... "or many others... That lift of the head, inner pride. You rub shoulders with the great -- who are often as plain and unassuming and scared of the blank page as you are!
You get to meet and greet and share table space with giants of the industry, including agents, editors, reviewers, new readers.
You get mind expansion - knowledge of and exposure to other styles and trends of your genre.
You get to help others in their climb up the ladder.
You read your colleagues' works, root for your group, find reasons to expand your horizons.
You learn humility, appreciate your own talents more, firm up your sanity, expand
your sense of humor and balance. Get a Ph.D in human behavior! You augment your commitment, discipline, stewardship, volunteerism. Organizational support gives you freedom, a writing family, fellow celebrants of your talents and gifts. And long ambitions.
A framework of invaluable contacts. Helps keep your fluttering ego in check! You join your fellow members in meetings, meals, events, important gatherings. You find your strength by serving on a committee, helping man a sign-in table, innumerable ways of volunteering where you meet new writers up and down the craft ladder.
Now make your own list...
T. J. Straw
P.S. As an MWA member since 1988, I treasure the hours I've labored at innumerable "grunt work" tasks – just as much as serving on the Board or rubbing elbows with the High and Mighty at an Edgars Winners' table!
Most of us like company. We relish our solitude, but we are also pack animals. It's what runs countries, schools, celebrations, companies - all the rites of life on this blessed planet.
Joining a group of fellow writers does give episodes of relief from aloneness.
Membership in an organized tribe that promotes the craft and business, far above the limits one's selfdom could plug into.
We get gemutlichkeit, that congeniality and warm cordiality not found at a solitary machine, that no matter how many bells and whistles it boasts of, can't give us a smile, a hug, or a warm greeting – "Great to see you here tonight!"
Not only the human bonding, both collegial and competitive, but the prestige. "I'm a member of ... MWA... SinC... ITW... "or many others... That lift of the head, inner pride. You rub shoulders with the great -- who are often as plain and unassuming and scared of the blank page as you are!
You get to meet and greet and share table space with giants of the industry, including agents, editors, reviewers, new readers.
You get mind expansion - knowledge of and exposure to other styles and trends of your genre.
You get to help others in their climb up the ladder.
You read your colleagues' works, root for your group, find reasons to expand your horizons.
You learn humility, appreciate your own talents more, firm up your sanity, expand
your sense of humor and balance. Get a Ph.D in human behavior! You augment your commitment, discipline, stewardship, volunteerism. Organizational support gives you freedom, a writing family, fellow celebrants of your talents and gifts. And long ambitions.
A framework of invaluable contacts. Helps keep your fluttering ego in check! You join your fellow members in meetings, meals, events, important gatherings. You find your strength by serving on a committee, helping man a sign-in table, innumerable ways of volunteering where you meet new writers up and down the craft ladder.
Now make your own list...
T. J. Straw
P.S. As an MWA member since 1988, I treasure the hours I've labored at innumerable "grunt work" tasks – just as much as serving on the Board or rubbing elbows with the High and Mighty at an Edgars Winners' table!
Wednesday, July 13, 2011
Learn to Write a Mystery
Special announcement! Annamaria Alfieri is passing on a fabulous opportunity for our readers within hailing distance of New York City.
Mystery Writers of America is offering a great course at an unbelievable price. For just $50, you can learn or hone your skills under the tutelage of award-winning mystery writers. I know most of the teachers. They will be fascinating speakers as well as practical instructors. This is a great opportunity. Here are the particulars.August 13, 2011
MWA University - New York | New York, National
Register NOW for MWA University - New York
Location: Fordham University School of Law
McNally Auditorium - Atrium Level
140 W 62nd St (between Columbus & Amsterdam Avenues)
New York, NY 10023
Register NOW for MWA University - New York
Location: Fordham University School of Law
McNally Auditorium - Atrium Level
140 W 62nd St (between Columbus & Amsterdam Avenues)
New York, NY 10023
What: An entire day of top-notch classes. Novice or pro, you will benefit from hearing the experts discuss their strategies for all facets of writing and publishing.
Below is a schedule preview (subject to change).
8:15 - 8:50: Check-in
8:55 – 9:00: Welcome – MWA's Executive Vice President – LARRY LIGHT
9:00-10:00: After the Idea
Teacher: Jess Lourey (Jess Lourey is the author of the Murder-by-Month mysteries and a tenured professor of English and sociology at a two-year Minnesota college.)
"If you wish to be a writer, write." But how? You've got the great idea, the one that won't let you go, that embellishes itself as you walk around your day. But how do you grow that kernel into a compelling story, and where do you find the time? This class gives you the tools to turn a good idea into a great novel. Bring a notebook and writing utensil.
10:15 -11:15: Dramatic Structure & Plot
Teacher: Hallie Ephron (Hallie Ephron is the author of psychological suspense Never Tell a Lie, crime fiction book reviewer for the Boston Globe, and author of the Edgar-nominated Writing and Selling Your Mystery Novel.)
Since Aristotle, the three-act structure for storytelling has reigned supreme, but does it still hold true for modern crime writers? Is it the best way, or the only way, to tell your tale? Is plotting simply sequencing your scenes or is there more to it? This class will teach you the art of storytelling and plotting so your manuscript will attract the attention it deserves.
11:30 – 12:30: Setting & Description
Teacher: Daniel Stashower (Daniel Stashower is a two-time Edgar award winner, and a recipient of the Raymond Chandler Fulbright Fellowship in Detective and Crime Fiction Writing.
"I guess God made Boston on a wet Sunday," Raymond Chandler once said, and this seemingly tossed-off remark has much to teach us about the gentle arts of setting and description. This class will guide you through the process and potential pitfalls of choosing a setting, and explore the ways in which descriptive passages can be honed to illuminate characters and themes.
12:30 – 1:30: Lunch Break
1:30 – 2:30: Character & Dialogue
Teacher: Cordelia Frances Biddle (Cordelia Frances Biddle is an adjunct professor at Drexel University's Honors College. Her courses include "Writing Killer Fiction", "Character as Catalyst", and "Histories and Mystery." She has taught at Philadelphia's University of the Arts and Temple University. She's the author of a critically-acclaimed mystery series featuring heiress Martha Beale: The Conjurer, Deception's Daughter, Without Fear.)
From Agatha Christie's Miss Marple to Walter Mosley's Easy Rawlings, character is arguably the most memorable element of a mystery novel and a series. How do you create a full-realized unique protagonist that leaps from the page? How should you develop secondary characters as well as the protagonist's nemesis? This class will challenge you to eliminate cardboard characterizations and create something new and fresh.
2:45 – 3:45: Writing as Re-Writing
Teacher: Reed Farrel Coleman (Twice nominated for the Edgar® and a three-time winner of the Shamus Award, Reed Farrel Coleman is an adjunct professor of English at Hofstra University.)
If editing was good enough for William Shakespeare, it's good enough for you. More often than not, it's the things you remove, the tweaks you make, and the tinkering you do, that are the difference between another slush pile manuscript and a new book contract. There are some easy methods to learn and follow to help you develop an editorial ear. Give us fifty minutes and we'll give you a better chance with agents and editors.
4:00 – 5:00: The Writing Life
Teacher: Hank Phillippi Ryan (Winner of two Agatha Awards as well as the Anthony and the Macavity, Boston TV reporter Hank Phillippi Ryan has won 27 Emmys for her investigative journalism.)
"I write when I'm inspired, and I see to it that I'm inspired at nine o'clock every morning." That's how Peter DeVries balanced art and craft. What's the reality of the writing life? The journey from your great idea to 90,000 words will mean hours of solitude. Days of self-doubt. Revision. Rejection. And then--rejoicing. You'll often say: "I wish someone had explained this to me!" In this class, they will.
Cost: $50 for both members and non-members of Mystery Writers of America. You must register by Wednesday, August 3, 2011. Registration is limited to 200 people.
Click here for Registration Form
More info at : http://www.mysterywriters.org/?q=MWA-University
Below is a schedule preview (subject to change).
8:15 - 8:50: Check-in
8:55 – 9:00: Welcome – MWA's Executive Vice President – LARRY LIGHT
9:00-10:00: After the Idea
Teacher: Jess Lourey (Jess Lourey is the author of the Murder-by-Month mysteries and a tenured professor of English and sociology at a two-year Minnesota college.)
"If you wish to be a writer, write." But how? You've got the great idea, the one that won't let you go, that embellishes itself as you walk around your day. But how do you grow that kernel into a compelling story, and where do you find the time? This class gives you the tools to turn a good idea into a great novel. Bring a notebook and writing utensil.
10:15 -11:15: Dramatic Structure & Plot
Teacher: Hallie Ephron (Hallie Ephron is the author of psychological suspense Never Tell a Lie, crime fiction book reviewer for the Boston Globe, and author of the Edgar-nominated Writing and Selling Your Mystery Novel.)
Since Aristotle, the three-act structure for storytelling has reigned supreme, but does it still hold true for modern crime writers? Is it the best way, or the only way, to tell your tale? Is plotting simply sequencing your scenes or is there more to it? This class will teach you the art of storytelling and plotting so your manuscript will attract the attention it deserves.
11:30 – 12:30: Setting & Description
Teacher: Daniel Stashower (Daniel Stashower is a two-time Edgar award winner, and a recipient of the Raymond Chandler Fulbright Fellowship in Detective and Crime Fiction Writing.
"I guess God made Boston on a wet Sunday," Raymond Chandler once said, and this seemingly tossed-off remark has much to teach us about the gentle arts of setting and description. This class will guide you through the process and potential pitfalls of choosing a setting, and explore the ways in which descriptive passages can be honed to illuminate characters and themes.
12:30 – 1:30: Lunch Break
1:30 – 2:30: Character & Dialogue
Teacher: Cordelia Frances Biddle (Cordelia Frances Biddle is an adjunct professor at Drexel University's Honors College. Her courses include "Writing Killer Fiction", "Character as Catalyst", and "Histories and Mystery." She has taught at Philadelphia's University of the Arts and Temple University. She's the author of a critically-acclaimed mystery series featuring heiress Martha Beale: The Conjurer, Deception's Daughter, Without Fear.)
From Agatha Christie's Miss Marple to Walter Mosley's Easy Rawlings, character is arguably the most memorable element of a mystery novel and a series. How do you create a full-realized unique protagonist that leaps from the page? How should you develop secondary characters as well as the protagonist's nemesis? This class will challenge you to eliminate cardboard characterizations and create something new and fresh.
2:45 – 3:45: Writing as Re-Writing
Teacher: Reed Farrel Coleman (Twice nominated for the Edgar® and a three-time winner of the Shamus Award, Reed Farrel Coleman is an adjunct professor of English at Hofstra University.)
If editing was good enough for William Shakespeare, it's good enough for you. More often than not, it's the things you remove, the tweaks you make, and the tinkering you do, that are the difference between another slush pile manuscript and a new book contract. There are some easy methods to learn and follow to help you develop an editorial ear. Give us fifty minutes and we'll give you a better chance with agents and editors.
4:00 – 5:00: The Writing Life
Teacher: Hank Phillippi Ryan (Winner of two Agatha Awards as well as the Anthony and the Macavity, Boston TV reporter Hank Phillippi Ryan has won 27 Emmys for her investigative journalism.)
"I write when I'm inspired, and I see to it that I'm inspired at nine o'clock every morning." That's how Peter DeVries balanced art and craft. What's the reality of the writing life? The journey from your great idea to 90,000 words will mean hours of solitude. Days of self-doubt. Revision. Rejection. And then--rejoicing. You'll often say: "I wish someone had explained this to me!" In this class, they will.
Cost: $50 for both members and non-members of Mystery Writers of America. You must register by Wednesday, August 3, 2011. Registration is limited to 200 people.
Click here for Registration Form
More info at : http://www.mysterywriters.org/?q=MWA-University
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