Showing posts with label Invisible Country. Show all posts
Showing posts with label Invisible Country. Show all posts

Wednesday, July 11, 2012

Win an Autographed Copy.....

Here's the contest:

I took this picture of the statue of George Washington in Union Square in New York City.

Imagine that the blonde you see at the bottom of the shot is a tourist who asked the statue for directions to a specific place.  The statue is answering correctly.  What was her question?

The first person to give the correct answer will receive an autographed copy of Invisible Country.  You can enter by leaving a comment on this blog or on my Facebook Author page:

http://www.facebook.com/AnnamariaAuthorPage

Or you can tweet your answer to me at @AnnamariaAlfier

For each day that there is no correct answer I will post a hint here in the comments, on Facebook, and tweet a hint to my followers on Twitter.

Good luck.

Where do you think the blonde wants to go?

Annamaria Alfieri   

Wednesday, July 4, 2012

"Invisible Country" Out This Week



Invisible Country is second of my historical murder mysteries set against fascinating points in South American History.  Since it is fresh to the bookstores this week, I am taking this moment for some shameless self-promotion.  Here's more about it:


In a Paraguay devastated by war, Father Gregorio discovers the dead body of Ricardo Yotté—a powerful ally of the Dictator Francisco Solano López and his consort, the beautiful foreigner Eliza Lynch.  Lynch had entrusted a fortune in gold and jewels to Yotté, which after his murder has gone missing.  Now, she and the brutal López will stop at nothing to find the treasure.  A band of villagers, fearful of wrongful punishment, undertake to solve the murder, thwarted by their own dangerous secrets.  Love and death pervade this fast-paced, complex mystery cum political thriller set in 1868, during South American’s War of the Triple Alliance.

Love and hate, desperation and despair, terror and suspense, unexpected twists and outright surprises, Invisible Country has them all….No one is better at spinning South American mysteries than Annamaria Alfieri.” 
Leighton Gage, author of A Vine in the Blood



You can read more about the book here:

If you can, please come to celebrate with me at my Launch Party:
July 10th at 7PM
Partners & Crime Bookstore
44 Greenwich Avenue
New York, NY  10014
(212) 243-0440


Get the first scene and find out about more of my author appearances at:

Annamaria Alfieri


Wednesday, May 2, 2012

Eliza Lynch: “Soldier of Fortune"



In a previous post, we talked about how Paraguay got its fortune.  Let’s follow the money.  At the outbreak of war, the nation had a large hoard of gold on deposit in a bank in Buenos Aires.  Estimates of the amount vary so widely, it is useless to specify how much.  Let’s just call it a king’s ransom.  The dictator Francisco Solano López instructed his agent withdraw it from the bank and send it up river to Asunción on the Esmeralda along with bolts of fancy cloth and a beautiful black landau, the last luxury goods his Irish mistress would ever be privileged to import.

Lynch added her own trinkets to the hoard: jewelry she collected when she and her South American lover were traipsing around France and Italy together previous to sailing for his home in the heart of the remote continent across the sea.  She also managed to collect jewelry in that middle of the nowhere that was Paraguay in the 1850’s and early 60’s.   Lacking a Cartier showroom, she repaired to a local church that boasted a miraculous statue of the Madonna.  As happened elsewhere in Christendom, many of the faithful entreated the Madonna’s blessing in times of peril or when a loved one was threatened by disease and when their prayers were answered, bestowed on the beloved image gifts of gold and precious gems.  (I have seen emeralds the size of a quarter and diamonds that would have made Elizabeth Taylor envious encrusted on a miraculous painting of the Virgin across the border from Paraguay in Bolivia!)  Eliza took Mary’s real jewels from her local statue and replaced them with dross.

Not stopping there, as the conflict dragged on, she began to “induce” the upper class ladies to donate their jewels (or anything else of value) to the war effort.  Well, of course, patriotic ladies would give their jewels for such a cause.  Remember the collection of the gold scene in Gone with the Wind?  The trouble was Eliza Lynch’s efforts took place after the Brazilian navy had taken control of the rivers leading in and out of the country—at which point there was no possibility whatsoever of buying anything even faintly resembling goods useful to an army.  Many have speculated what Lynch and López intended to do with the expensive trinkets they amassed in their attacks on the jewelry boxes.

Ruins of Humaita
It seems likely that the Treasure of Paraguay was dragged along with them as they fled before the pursuing enemy month after month, year after year.  To her credit, maybe, Eliza stuck by López’s side throughout the war.  She was with him in Asunción, scene of the jewelry confiscations, but also at the great fort at Humaitá, where at first she entertained the troops by dancing for them and serving the officers French meals.  When the Bolivian men of war started bombarding them, she walked out on the battlements to encourage the troops, and in the end, when the defenses were crumbling, barely escaped with her sons across the river.  Life with López after that meant breaking camp and running north repeated for literally years until he was finally felled on the first of March 1870.  Many chroniclers report that she buried him and their oldest son, who also died that day, with her own hands.

What happened to the gold and jewels in the process is still a matter of hot speculation over a hundred and thirty years later.  Here are the main theories:  She and López tossed the trunks holding the treasure over a cliff in a deserted area of the north cordillera.  He then forced the carters who had transported the goods to leap over the cliff, too, thereby ensuring that only the ruling couple would know where the gold and jewels rested.  For many years afterwards, treasure hunters scoured the landscape looking to strike it rich.  No one ever found anything.

A more likely possibility: Eliza entrusted the treasure to a third party for safe-keeping.  A close look at her lifestyle after Paraguay’s bitter defeat indicates that she never repossessed the fortune.  She did, however, go to Scotland and sue the family of Dr. William Stewart, who had been the chief surgeon to the Paraguayan forces.  She sought to recover “certain valuables” she had entrusted to his care.  She did not win her case.  Eliza Lynch, died in poverty and obscurity in Paris on 27 July 1886.  The treasure of Paraguay is still missing.



Annamaria Alfieri

Wednesday, April 25, 2012

WAR! Why?


Between 1864 and 1870, Paraguay fought the most devastating war any country has ever suffered.  Estimates of the number of dead differ widely, but it seems safe to say that 60% of the country’s total population was lost—proportionally the most destructive war of the last millennium.  In the end, some say 90% of the male population of Paraguay was killed.  The most meticulous study concludes that of the 150-160,000 Paraguayans left in 1870, only 28,000 were males: a ratio of 4 females to 1 male.  But in the worst-devastated areas, the ratio was more like 20 to 1.  Why would that tiny land-locked country pit itself against Brazil, Argentina, and Uruguay and then fight nearly to annihilation?  The answer you get depends on who you ask.

Francia
Carlos Antonio Lopez
Most historians agree that the politics of the La Plata region were a mess at the time.  After achieving independence from Spain, Paraguay enclosed itself in a shell and lived to serve and enrich its dictators—first José Gaspar Rodríguez de Francia and then Carlos Antonio López.  Argentina was mired in a persistent identity crisis, unable to make up its mind whether it wanted to grow up to be a republic or a unified country ruled from the large, liberal city on its coast.  The Argentinos fought one another brutally every once in a while but never managed to settle the question.  Brazil’s rivalry with Argentina caused it to rise up from time to time, flex its muscles, and try to prove it was the biggest kid on the block.  Poor little Uruguay, stuck between the two coastal would-be super powers, found itself a frequent battleground in proxy conflicts between the pro-Brazilian and pro-Argentine factions in its midst. 


Enter Francisco Solano López.  When he ascended to the “throne” of Paraguay on the death of his father, he immediately began to militarize.  He brought in 200 foreign technicians to build a railroad, a telegraph system, warships and weapons.  In 1850, the Ybycuí foundry began to turn out cannons, artillery, and bullets, using every bit of metal it could lay its hands on, including the bells in the church towers.  With all that political tumult and materiel at hand, there was bound to be a war.


The precipitating factors could have been any of several.  Many texts posit that Solano López coveted a port on the Atlantic and set out to conquer a swath of Brazil so he could have one.  The evidence in support of this is heavy: Lopez started it all by declaring war on Brazil on December 13, 1864.  Three months later, because Argentina refused to let him march his army through its territory to get to the battlegrounds, he declared war on Argentina.  Uruguay later joined in making it a Triple Alliance against Paraguay but it never had the resources to matter much in the fighting.

López’s apologists claim that he was not after territory but rather was defending the rights of the two small countries not to be meddled with by the two local heavy weights.  There is some supporting argument in favor of this, too.   Brazil had done some major mucking around in Uruguay for the previous fifteen years.  In October of 1864, it found a pretext to invade its little neighbor.  The Colorado faction in Uruguay appealed to Solano López for help.  One could make a case that López’s real motivation in starting the war was to show big-guy Brazil that the smaller countries would not stand for such a thing.  We must note, however, that López did not go in to fight with the Uruguayans.  Instead, he attacked the Mato Grosso province of Brazil, which would be his desired corridor to the sea.  Was he trying to kill two birds with one stone?  If so, he wound up killing his countrymen instead.

In the 1960’s and 70’s, revisionist historians floated a new theory, saying that real culprit was Great Britain, variously motivated by its need for a source of cotton (having lost its supply from the American South because of our Civil War) and better yet because it stood to make enormous amounts of money supplying armaments and engineers and importantly by lending the warring powers bags of cash at favorable—to Britain—interest rates.  Since Britain actually was the only entity to come out ahead in the awful struggle, you might want to believe it entrapped the warring parties to participate.   Profiting heavily from such a horror show does seem a nasty way for any country to make itself rich, but it is hard to imagine that Britain could have gotten the war started if the other participants had not been looking for a fight, as well as cruising for a bruising.

The least likely reason for this war,  actually stated as truth in books that call themselves nonfiction, is that the real culprit was—Can you believe it?—Eliza Lynch.
Yes, her, the Irish courtesan.

As has been mankind’s wont from the story of Adam and Eve onward, some men (and I am being gender-specific here) say it is evil woman who goads otherwise peaceful and honorable man into sin.  These are the types who say Lynch pushed Solano López into the war because she wanted to be an Empress like her friend Eugenie.  Her goal was that her lover would eventually conquer all of South America, which they would rule together.  The proponents of this theory either ignore or never noticed that Solano López opened an armaments factory four years before he ever met the lady.

This is not to say that La Lynch did not participate once the conflict was underway.  But that’s a story for another day.  Come back and read it next week.

Annamaria Alfieri